1ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair
Ingh IL
Saturday, May 23, 2009
iv
U - o luzion e Industriale Starring: ing Egner Materials: cast iron THE RESEARCH AND STET ICA & THE R E P
LS 
IO N AND 
PE
or between a rtigianato and industr the to nt and King
ss or GR a part of and '800'. Representative 's era was Williams M orris, a nim ato r and of Arts and Crafts and research new sector for me s
Tili stic he i m p re m and r and all ' oggetto.Il his function f u very significant p hy for m s and u
na Gradu ale growth ta, diversification and about characterization of ' ogg pound that s the be freed from cc h the and
f footsteps s tilis t ic h and still shooting in E urope in ' u you the the z z or nu ovine materials. It 's a design that has linearity, verticalitità and references to 'medieval architecture. " William Morris, wooden chair or carved decorations pint 1858 Castle medievalists
Chiaramontano ale, Sicily.
"Q 
u ello all that stands now 'acchio and upholstery. Its rice r market innovative decor and even atypical 's
time, is the nvece u
8 
Christopher Dresser, chair in the wood and ga 1870 Christopher Dresser, wooden armchairs na 1880
IO N AND 
PE R THE MACC HINE
The conflict or between a rtigianato and industr the to nt and King
ss or GR a part of and '800'. Representative 's era was Williams M orris, a nim ato r and of Arts and Crafts and research new sector for me s
Tili stic he i m p re m and r and all ' oggetto.Il his function f u very significant p hy for m s and u
na
f footsteps s tilis
Chiaramontano ale, Sicily.
"Q 
u ello all that stands now 'acchio and upholstery. Its rice r market innovative decor and even atypical 's
time, is the nvece u
n kr r you to call 'craft of the past: all' Egypt, Greece or the source Medioevo.La
prendente know migl Ianzano to 'tapestry, accurate form of' ancient textile art, it makes me understand in this chair c 'is much more than what you see and how the' big REFERENCE or eral cultural, historical, artistic and there is in 'elab tessuto.E prayer of' very clear the binding of all Morris' crafts and especially the 'persistence in making them understood the potential for unique and far superior to' industry. Then, culture and creativity one you to create a design for the 'high bo rghesia. The structure of the chair in molded wood, carved is perfectly consistent to the period. also arms covered with t essuto are treated in detail. "
Geor ge Jach, mahogany armchair t
appezzeria Morris 1890 William Morris, damask fabric in the
na patterned peacocks and dragons 187 appezzeria Morris 1890 William Morris, damask fabric in the
8 
Christopher Dresser, chair in the wood and ga 1870 Christopher Dresser, wooden armchairs na 1880
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