Highlighting With Natural Match
5ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair AUSTRIA
_ The ech
the Mackintosh Joseph Maria Olbrich, pal
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manganese, movement ready to welcome the trends New releases from 'arts and crafts at the laboratory in Jugendstil innovative languages. - The characteristics of the Viennese Secession: reduction of 'ornament, adoption of decorative elements more sober as the square and the circle instead of' floral exuberance of art nouveau, use of machinery.
Josef Hoffman " Ap p en the 'I v ista I thought it will be uncomfortable!
Yet other devices known in the will ment of au
to
rne comfort.
Hoffmn creates a reclining backrest 4 posizoni, and is simply fun and also
ingenious the way he does, but for that reason it processes the form and structure thus eliminating the sense of 'other function?
Also there is an excessive and unjustified use of material.
"
Kubus Armchair
You could say that was built after 1910 because of its resemblance to the LC2 chair Grand Confort by Le Corbusier in 1928.
for its functional clarity, the 'purely geometric aesthetic can be traced back to the modernist period. E' block
of polyurethane, placed on a wooden frame, covered with the skin nera.Iprogetti were necessarily expensive and exclusive, handmade, but anticipated in every way modernism.
Otto Wagner Master and intellectual guidance of the Civil War was one of the main architects ustriaci.
Its design was based on criteria of functionality, substantially two-dimensional decoration and use of unconventional materials and processes. The highlights of the Secession lived a 'creative evolution that led them to a decorative subtraction.
Stool 1904 grossed by Gebrüder Thonet Vienna
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