1ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair
Ingh IL
Saturday, May 23, 2009
iv
U - o luzion e Industriale Starring: ing Egner Materials: cast iron THE RESEARCH AND STET ICA & THE R E P
LS 
IO N AND 
PE
or between a rtigianato and industr the to nt and King
ss or GR a part of and '800'. Representative 's era was Williams M orris, a nim ato r and of Arts and Crafts and research new sector for me s
Tili stic he i m p re m and r and all ' oggetto.Il his function f u very significant p hy for m s and u
na Gradu ale growth ta, diversification and about characterization of ' ogg pound that s the be freed from cc h the and
f footsteps s tilis t ic h and still shooting in E urope in ' u you the the z z or nu ovine materials. It 's a design that has linearity, verticalitità and references to 'medieval architecture. " William Morris, wooden chair or carved decorations pint 1858 Castle medievalists
Chiaramontano ale, Sicily.
"Q 
u ello all that stands now 'acchio and upholstery. Its rice r market innovative decor and even atypical 's
time, is the nvece u
8 
Christopher Dresser, chair in the wood and ga 1870 Christopher Dresser, wooden armchairs na 1880
IO N AND 
PE R THE MACC HINE
The conflict or between a rtigianato and industr the to nt and King
ss or GR a part of and '800'. Representative 's era was Williams M orris, a nim ato r and of Arts and Crafts and research new sector for me s
Tili stic he i m p re m and r and all ' oggetto.Il his function f u very significant p hy for m s and u
na
f footsteps s tilis
Chiaramontano ale, Sicily.
"Q 
u ello all that stands now 'acchio and upholstery. Its rice r market innovative decor and even atypical 's
time, is the nvece u
n kr r you to call 'craft of the past: all' Egypt, Greece or the source Medioevo.La
prendente know migl Ianzano to 'tapestry, accurate form of' ancient textile art, it makes me understand in this chair c 'is much more than what you see and how the' big REFERENCE or eral cultural, historical, artistic and there is in 'elab tessuto.E prayer of' very clear the binding of all Morris' crafts and especially the 'persistence in making them understood the potential for unique and far superior to' industry. Then, culture and creativity one you to create a design for the 'high bo rghesia. The structure of the chair in molded wood, carved is perfectly consistent to the period. also arms covered with t essuto are treated in detail. "
Geor ge Jach, mahogany armchair t
appezzeria Morris 1890 William Morris, damask fabric in the
na patterned peacocks and dragons 187 appezzeria Morris 1890 William Morris, damask fabric in the
8 
Christopher Dresser, chair in the wood and ga 1870 Christopher Dresser, wooden armchairs na 1880
Friday, May 22, 2009
Cheese Tortellini With Fish
2ANALISI strorico CRITICA_Le stages of design and in particular the chair
GREAT BRITAIN _ L 'Art Nouveau
The cradle of this r 
evision and aesthetics f
ul
to
GREAT BRITAIN _ L 'Art Nouveau
The cradle of this r 
evision and aesthetics f
ul
to
- r an
agn to , lu ogo rich artistic experiences where ragioname nt pr o- ind u s tri to ( Dre s ser) and an you -i ndustriali (Morris), acc umunati from 'importanz to and the the the ine, you and r ano co nfronte. The new style was structured into to rno 'activities de ll ' Azie nd to lond in
es and Liberty & Co., specializes in ta 'importazion and pro do tt the orie and key aspects on those ch and n and took part in the design of mobile i : Dresse re Cha RLES R Ennie M ackintosh . Quest ultim interpretò o la Nueva tends e nza in mo do
or rigid nal and pre injuring the abstract linear forms re ttili nee c om b the n ate s and c or
n do a ar mo Nios or ge ome t r ism. "Looking at this design, a known side of the chair particularly highlighted. The geometry of the back I remember the part in 'Oriental Art (Japanese homes), but more clearly and simply basic geometric shapes. To give importance to back the rest of the structure is reduced to 'essential. more dominant in the design of the function, which however is explicit, and the 'optical effect given by the straight lines and highlighted through the seat that is wider in front and gives a sense of perspective.
More than the result of a designer, I think the result of a stylist. "
chair 1928 
es and Liberty & Co., specializes in ta 'importazion and pro do tt the orie and key aspects on those ch and n and took part in the design of mobile i : Dresse re Cha RLES R Ennie M ackintosh . Quest ultim interpretò o la Nueva tends e nza in mo do
or rigid nal and pre injuring the abstract linear forms re ttili nee c om b the n ate s and c or
n do a ar mo Nios or ge ome t r ism. "Looking at this design, a known side of the chair particularly highlighted. The geometry of the back I remember the part in 'Oriental Art (Japanese homes), but more clearly and simply basic geometric shapes. To give importance to back the rest of the structure is reduced to 'essential. more dominant in the design of the function, which however is explicit, and the 'optical effect given by the straight lines and highlighted through the seat that is wider in front and gives a sense of perspective.
More than the result of a designer, I think the result of a stylist. "
chair 1928 
Wednesday, May 20, 2009
Arthritis In The Knees More Condition_treatment
3ANALISI HISTORICAL CRITICA_Le stages design and in particular the chair
F RAN
CIA
Nature: fon you d 'to Ispir
tion
F RAN
CIA
Nature: fon you d 'to Ispir
tion
More than a structural renovation, artistic, aesthetic language, the new style was limited by the long tradition of craftsmanship.
However, the new movement had the same type of fashion and duration of the 'exuberance of modern times. 
Interpreters:
Interpreters: Eug
- is n and G Aille
rd rococo style of extreme softness
"I think this interior signs a fundamental step 
it
lla history of design.
And 'the mirror of a changing society oriented to' industrialization. At this historic design tries to break free from ' EXCESSIVE of exuberance and the 'art and nauveau is oriented towards more simple and readable.
And 'the mirror of a changing society oriented to' industrialization. At this historic design tries to break free from ' EXCESSIVE of exuberance and the 'art and nauveau is oriented towards more simple and readable.
The reason that prompted me to analyze this furniture is its "Design 
Correct", intent on improving
craft and as such does not
intended for all, it puts pro to anticipate and resolve issues common to Most people deglli, as mancaza space, heralding a fundamental principle of modern design: the 'Stack bility.
"
Louis M ajorelle ta n
dol
to to furniture
p
withdrawing, its structure and its decoration are def inibili essential. L 'aesthetics of ell' or g jet becomes more detailed through the carvings that cover the exterior of the structure, ignoring the part 'aspect of comfort. The interesting part is characterized by the arms, supported by elements in an unusual timber that is too long until the end of the legs, which are welded joints invisibili.Questi through connecting elements are curved towards the 'outer widening the zone-seat armrests . If designer had stretched or close the arms, most likely elements of 
the union (arm-leg) did not have such size and shape. Once vo lta is a fierce form, to the detriment (albeit minor) was the nzione. " Armchair 1910 " These two chairs are alike. Both are connecting elements I mentioned before, but so diveverso. Even the back presents as empty as the previous one. The difference is in how it was fixed the 'padding, referring to the' English craftsmanship. " Armchair 1900
the union (arm-leg) did not have such size and shape. Once vo lta is a fierce form, to the detriment (albeit minor) was the nzione. " Armchair 1910 " These two chairs are alike. Both are connecting elements I mentioned before, but so diveverso. Even the back presents as empty as the previous one. The difference is in how it was fixed the 'padding, referring to the' English craftsmanship. " Armchair 1900
Tuesday, May 19, 2009
How Do I Make Myself Look More Mature
4ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair
BELGIUM
BELGIUM
Style are turning towards the major root symbolism.
Gustave S
errurie
vy
Gustave S
errurie r
-
Bo -
vy
- 8-1910
Unlike his contemporaries, his pro jets are not or ide ning in a single style, but also to advances the rigors rational list.
His line less curvy and more linear, it definition sce att r to
v er s or ba nde wooden me thallus. Series Silex "1904 is built around a particular system, assembled, made of poor materials, intended for all users. example I have in this furniture because they represent the result of a genius -creator. It 'amazing to think that the furniture so useful, practical, sober and present have been designed and built in 1900. E' an industrial product, the mass, but above all social. Tap aspects basic industry 's:' s Disassembly and monomaterial "
Monday, May 18, 2009
Highlighting With Natural Match
5ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair
AUSTRIA _ The ech
the Mackintosh
Joseph Maria Olbrich, pal to ZZO d
she Sec
they one
AUSTRIA _ The ech
the Mackintosh
Joseph Maria Olbrich, pal to ZZO d
she Sec
they one
189 
8
ono 
8 
young artists founded the 
ezession comes - manganese, movement ready to welcome the trends New releases from 'arts and crafts at the laboratory in Jugendstil innovative languages.
- The characteristics of the Viennese Secession: reduction of 'ornament, adoption of decorative elements more sober as the square and the circle instead of' floral exuberance of art nouveau, use of machinery.
Josef Hoffman " Ap p en the 'I v ista I thought it will be uncomfortable! 
Yet other devices known in the will ment of au to rne comfort. Hoffmn creates a reclining backrest 4 posizoni, and is simply fun and also
ingenious the way he does, but for that reason it processes the form and structure thus eliminating the sense of 'other function?
Also there is an excessive and unjustified use of material.
"
Kubus Armchair
Yet other devices known in the will ment of au to rne comfort. Hoffmn creates a reclining backrest 4 posizoni, and is simply fun and also ingenious the way he does, but for that reason it processes the form and structure thus eliminating the sense of 'other function?
Also there is an excessive and unjustified use of material.
"
Kubus Armchair You could say that was built after 1910 because of its resemblance to the LC2 chair Grand Confort by Le Corbusier in 1928. for its functional clarity, the 'purely geometric aesthetic can be traced back to the modernist period. E' block of polyurethane, placed on a wooden frame, covered with the skin nera.Iprogetti were necessarily expensive and exclusive, handmade, but anticipated in every way modernism. Otto Wagner Master and intellectual guidance of the Civil War was one of the main architects ustriaci. Its design was based on criteria of functionality, substantially two-dimensional decoration and use of unconventional materials and processes. The highlights of the Secession lived a 'creative evolution that led them to a decorative subtraction.
Stool 1904 grossed by Gebrüder Thonet Vienna
Stool 1904 grossed by Gebrüder Thonet Vienna Sunday, May 17, 2009
Disposable Tea Cups And Saucers
6ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair
GE R
MANIA
_
THE BAUHAUS 
Principles of pr oduction of
Bauhaus
"In the workshops of the Bauhaus are carefully developed and constantly improved prototypes of objects suitable for the production
n
the series and typical of our time"
- 1902/81 architect and designer, was a student teacher at the Bauhaus ee directing the mobile lab . 1927-28
"The technique of the I
natoio was introduced already n el nineteenth century, then we wanted to 'about a century before buying
n DERE and exploit the characteristics of seamless steel tube, which only around g
them years 30 'became the symbol of modern design.
The Wassily Chair, modern and relevant today, to 'age was not included because a product considered vulgar rata
Ottoman natoio was introduced already n el nineteenth century, then we wanted to 'about a century before buying
n DERE and exploit the characteristics of seamless steel tube, which only around g
them years 30 'became the symbol of modern design.
The Wassily Chair, modern and relevant today, to 'age was not included because a product considered vulgar rata
totalmete
institution of far
institution of far
ello historians and current styles. However, the 
to find charming and elegant. The various components were coordinated to you harmoniously, creating a product that is in 'its power industry and its expression. I believe that the creative genius pro is precisely in this, the perfect n
you 
to find charming and elegant. The various components were coordinated to you harmoniously, creating a product that is in 'its power industry and its expression. I believe that the creative genius pro is precisely in this, the perfect n integration between p roject and industry
"
Principles or mill, for the construction of pipes' steel is not welded designed it 1860 by the brothers Mannesmann. protagonist becomes the primary geometric shape: the square and the rectangle that are mushrooming in multiple es
"
Principles or mill, for the construction of pipes' steel is not welded designed it 1860 by the brothers Mannesmann.
Main stages: Drilling coarse solid for the action of two cylinders. Pass pilgrim : everything is made of a Laminat oio d ITLE
"step of the pilgrim", consisting of two grooved rollers with grooved semi-circular cross section and depths as shown in the diagram above.
Cesca armchair (m or d. b64) 1928__side chairs 1936-37
The Bauhaus school was completed in 1937 under the direction of Mies Van der Rohe. trasgeri A few years later in America in Chicago and New York. He made the Barcelona chair (1947), for the 'International Exhibition in Barcelona. L 'is made of laminated intelaiautura d' chromed steel and cushions covered with white kid leather straps rest on. "Although it was realized by the director of schools
the Bauhaus, this chair is certainly not the congealed
"step of the pilgrim", consisting of two grooved rollers with grooved semi-circular cross section and depths as shown in the diagram above.
Cesca armchair (m or d. b64) 1928__side chairs 1936-37 Ludwig Mie Van der Rohe's
_ 1886-1969 The Bauhaus school was completed in 1937 under the direction of Mies Van der Rohe. trasgeri A few years later in America in Chicago and New York. He made the Barcelona chair (1947), for the 'International Exhibition in Barcelona. L 'is made of laminated intelaiautura d' chromed steel and cushions covered with white kid leather straps rest on. "Although it was realized by the director of schools
the Bauhaus, this chair is certainly not the congealed
ntazione or symbol. The welds that connect the elements of 'interest laiatura not easy litano seriality, indeed require more work and precision.
also does not have armrests, which are essential for comfort and functionality, but most likely if they had afesse n was on so beautiful and elegant! "
" Possible re
The movement of
has come to the creation of
Movement cancer.
In his early paintings are represented nature ( subject in the future because it prohibited keeping with the style), then the lines and colors break up, break down, to simplify them. 
" Possible re
injuries to 'Art and the Egyptian culture. " 
Tucendhat 1929-30__Brno chair chair 1929-30 The MR without arms was followed by MR20 Armchair, one of the first projects of Mies Van der Rohe.Possiede still present in the lightweight chairs by Marcel Breuer. 1927
Tucendhat 1929-30__Brno chair chair 1929-30 The MR without arms was followed by MR20 Armchair, one of the first projects of Mies Van der Rohe.Possiede still present in the lightweight chairs by Marcel Breuer. 1927
Used Rangefinder Rifle Scopes
7ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair
HOLLAND _
DE STIJIL HOLLAND _
The movement of
Neoplasticism 
was founded in 1917 by Theo Van Deosburg Pie and Mondrian. 
"Looking at the paintings of Mondrian I can perceive the 'evolution of his art and how he 
was founded in 1917 by Theo Van Deosburg Pie and Mondrian. 
"Looking at the paintings of Mondrian I can perceive the 'evolution of his art and how he 
has come to the creation of
ultiple. The colors are limited to basic ones. - ver neoplastic style one could speak of "
- Virus cancer," the rapid spread that came in design, fashion, in' architecture, etc. ..
However, I believe that the De Stijil the outcome, the 'evolution of art of all MONVI' era of 'Art Nouveau, Czech Cubism, Modernism, etc. .. " Gerrit Thomas Rietveld 1888-1964
"Red Blue Chair (1918) was
u ne of the greatest examples of neoplastic style design! It 's the implementation of three-dimensional paintings of Mondrian. not take much to understand that this is an industrial design, although
f ormat from 15 machine-cut strips of wood, screwed without joints and hinges, while seat and back are rough t
grandmothers painted in primary colors. 
would seem a simple decor, yet it is very difficult to build because of the series' absolute precision required Mont 
premium. " Zig-Zag Chair 1934
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