Wednesday, December 16, 2009

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the families of pupils

Classes end Tuesday, December 22 and will resume Monday, January 11, 2010.
The Headmaster and the staff of the School wish you a Merry Christmas to the families and the start of a peaceful New Year.

Friday, November 27, 2009

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CLASS PUPILS THIRD AND THEIR PARENTS


It was announced that Friday, December 11, 2009 from 16.00 to 18.30 our school organizes an "Open Day", to which are invited all parents and pupils in third class to meet with representatives of the Institutes Superiors who present their offerings.
E 'acceptable maximum participation.

The Headmaster (Dr. Iris Alema)

Wednesday, November 25, 2009

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Headmaster
Given the OM-15.7 / 1991 No 215 Article 48
Vista-enacted with the proclamation of the elected Protocol n.3056 / A19 of the November 9, 2009
PROVIDES
the convening of the SSLL first sitting of the Council of the Institute of Secondary School Rizzo Alessi to be held in the library plexus Alessi square Bonavino 4A, first call Wednesday, November 25 at 23.30 and the second meeting
Thursday, November 26, 2009 at 17:30
with the following agenda
settlement of the collegiate body.
Election of President and Vice President.
Finding the Executive Secretary appointed

Smooth functioning of the Council: Adoption Plan
first chords of 'Educational Offer 2009-2010
appointed organist
School Calendar Warranty

budgetary changes and any other business.
The Headmaster (Dr. Iris Alema)
The Institute Council is a collegial body open to the public: anyone can attend the proceedings.
The ability to intervene is left to the right of the President who can stop the session to listen to any of these interventions.

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Reception General
Tuesday, December 1 from 17.00 to 19.00-Arts-Religion-Languages \u200b\u200bSupport
Wednesday, December 2 from 17:00 to 19:00 Maths-Art-Music-Tech-Sciences
the week from 30 November to 4 December were suspended individual interviews.
In the talks will be delivered the document of the interim evaluation and policy advice for the third class.


The Headmaster (Dr. Iris Alema)

Tuesday, July 14, 2009

Carolina Cell Respiration Lab

FINAL PRESENTATION (S)

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FINAL PRESENTATION (II)


Leg Pain Free Clip Art

KAIROS

Sunday, July 12, 2009

Hacking Broadband Dongles

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Saturday, June 20, 2009

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Monday, June 15, 2009

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Friday, June 5, 2009

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STATEMENT OF DESIGN THEME (introduction to the old examination)

I developed this project about a year ago, for a fundamental examination of my degree course in Industrial Design.
In a short time has become the established pattern of research and study-style design. However, the results achieved as a result, they were more soddifacenti, I decided not to submit more than my old project.

I was asked to design a component 's elaborate furnishings the theme of 'HOME.

The "design method" used was quite simple and spontaneous.
  1. OPERATION: research on the meaning of the word processing and reception.
  2. OPERATION: IDEA, transposition of the concept of welcoming in a sitting through 'the image of a graphics processing ab arm seen from the summary and its components: - an oval / head and arch / arm.
  3. OPERATION: sketches.
  4. OPERATION: project.
Theme: Home
and summarize briefly the transformation / evolution of my project.





Publish at Scribd or
explore others:
Fiction Books
sketches Armchair Abrazo
I made this project to 'about a year ago for a fundamental examination of the degree course in Industrial Design' s Unuversità Firenze.Il theme of my project is' the theme ACCOGLIENZA.Sviluppai trying to give the project my feelings of comfort , heat and protezioene, just with a hug, which takes its name and form. Publish at Scribd or explore others:
Fiction Books
armachair abrazo

Saturday, May 23, 2009

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1ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair

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z z or nu ovine materials. It 's a design that has linearity, verticalitità and references to 'medieval architecture. " William Morris, wooden chair or carved decorations pint 1858 Castle medievalists
Chiaramontano ale, Sicily.
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u ello all that stands now 'acchio and upholstery. Its rice r market innovative decor and even atypical 's
time, is the nvece u
n kr r you to call 'craft of the past: all' Egypt, Greece or the source Medioevo.La
prendente know migl Ianzano to 'tapestry, accurate form of' ancient textile art, it makes me understand in this chair c 'is much more than what you see and how the' big REFERENCE or eral cultural, historical, artistic and there is in 'elab tessuto.E prayer of' very clear the binding of all Morris' crafts and especially the 'persistence in making them understood the potential for unique and far superior to' industry. Then, culture and creativity one you to create a design for the 'high bo rghesia. The structure of the chair in molded wood, carved is perfectly consistent to the period. also arms covered with t essuto are treated in detail. "
Geor ge Jach, mahogany armchair t

appezzeria Morris 1890 William Morris, damask fabric in the
na patterned peacocks and dragons 187 8
Christopher Dresser, chair in the wood and ga 1870 Christopher Dresser, wooden armchairs na 1880

Friday, May 22, 2009

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2ANALISI strorico CRITICA_Le stages of design and in particular the chair

GREAT BRITAIN _ L 'Art Nouveau
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agn to , lu ogo rich artistic experiences where ragioname nt pr o- ind u s tri to ( Dre s ser) and an you -i ndustriali (Morris), acc umunati from 'importanz to and the the the ine, you and r ano co nfronte. The new style was structured into to rno 'activities de ll ' Azie nd to lond in
es and Liberty & Co., specializes in ta 'importazion and pro do tt the orie and key aspects on those ch and n and took part in the design of mobile i : Dresse re Cha RLES R Ennie M ackintosh . Quest ultim interpretò o la Nueva tends e nza in mo do
or rigid nal and pre injuring the abstract linear forms re ttili nee c om b the n ate s and c or
n do a ar mo Nios or ge ome t r ism. "Looking at this design, a known side of the chair particularly highlighted. The geometry of the back I remember the part in 'Oriental Art (Japanese homes), but more clearly and simply basic geometric shapes. To give importance to back the rest of the structure is reduced to 'essential. more dominant in the design of the function, which however is explicit, and the 'optical effect given by the straight lines and highlighted through the seat that is wider in front and gives a sense of perspective.
More than the result of a designer, I think the result of a stylist. "
chair 1928