Friday, May 15, 2009

How Do I Publish A Jigsaw Puzzle

8ANALISI HISTORICAL CRITICA_Le stages of design and in particular the chair


A
MERICA _ Styling Despite 'America had an industrial network far more detailed and complex compared to European countries, they never reached the quality level of production. The American people, very realistic, addicted to work, made up mostly of emigrants was looking for simple objects and funzioli.
After the economic crisis in 29 ', American society, very materialistic, found their sense of wellbeing, albeit frivolous, more and more objects in renewed. It began consumerism: the companies in order to combat the crisis, meet the needs of the masses and save the competitive struggle, increasing the production of objects, changing only the 'formal aspect. was born the "Styling" with it and its author: the "Stylist" slave of the economic needs of businesses and desires of the masses. In Europe, the phenomenon was named to re-designate. " (Cesare Fulci, Design history, Reggio Calabria 1974) After World War II styling back to life. The United States was a refuge for fugitives from many European artists Nazism and fascism. Also 's proven technology experience in the field of armaments, allowing rapid implementation in other areas.
are widely used plastics, used in 'aviation industry during the war and later in the furniture industry. One of the best designers we
Charles Eames (1907-1978) and Ray Eames (1912-1988) contributed to the formation of cha "Organic Design"
Side Chair (model DCW) 19
46
  • Project born from the collaboration with his wife Ray Eames, ex-student and collaborattice.

The Side Chair is made of a structure in bent plywood, sed



uta c and back on impallacciatura

birch and rubber suspension.


The tecologia enabled him to produce a plastic object and consists of several components assembled together . Their projects were the product of a
'indus tria
that armoniosam ent and married the design.
organic design is not simply a formal reference to nature, but is the message to its essence, the its design principles tual and constructive. In this session, the sense of organic and enriched or sc
OMPOSITION and by 'articulation of the components, which give a sense of
the flexibility in meeting such chienaele, and a sense of stability in legs that seem to be anchored to the ground. "



" Nell 'Armachair the DAR Model 1948-50 the weight of the seat monocoque fiberglass contrasts with the lightness of the legs in bars metalliche.Credo that if the designer had not marked co n such security safety net difference between the seat and legs, most likely would not have been so poltrana success.
Side Chair In Mo
of PKW-2, 1951, St.
ruttura tensile change: the base is structured differently, and especially because of the weight out 'use of wood, while sat in the
Instead, it acquires leggrezza. On the edge is reinforced through the 'use of two metal rods, providing more flessubilità the center. E 'partially covered by triangular roof for easy removal (Bikini Model

)
.

"
Lounge Chair Charles and Ray Eames 1944




" I find it amazing how the plates of plywood articulate harmoniously with each other, creating a game surfaces and volumes. The result is a lounge chair that turns into a living organism! Be noted is the b ase metal: it strengthens the middle and gets up from the ground to 'end, favoring' oscillazione.Il way plates are connected to each other and I am not yet clear I'm conducting research. Gladly accept information about it! Thanks. " Lounge Chair and Ottoman, Charles and Ray Eames
1956
" Although the design method used is the same, it is structured differently chair. Quelch realized years later, represents the evolution of the example precedente.Le size plywood shells were optimized, connecting elements have been added outside the metal structure and covered with padding
pelle.Tuttavia, the basis could be improved aesthetically. I posted a video on the home page of my blog that shows how the various parts are assembled. "

Tulip Chair, Model 150, 1955-56

" Charles Eames and Eero

Saarinen (1910-61), were teachers and staff at Cranbrook School. realize this is a session in which int uiva clearly what stylistic direction would take.

Eero emphasized to the plasticity, and plasticity monolicità in contrast to the discontinuity of Charles Eames and in the projects emphasized a clear distinction between components. The shell is made of plastic, while its support painted in white uniform morphology is made of aluminum. " Diamond Chair Model No. 421 LU, 1951


Harry Bertoia ( 1915-1978)
"The theme of wire mesh was introduced a year earlier by Charles Eames.In this case, the mesh of thin metal rod, takes a more soft and comfortable."
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